|
|
The Beginnings of horse racing in Pardubice Region in the context of political and social history
Johanovská, Isabela ; Foltýn, Dušan (advisor) ; Kales, Josef (referee)
In the minds of many people, steeplechase is inextricably linked with Pardubice, just like the famous Velká pardubická, which retains its unique charm even now. However, the way leading to the first Velká pardubická steeplechase was extremely difficult, and it almost looked that the toughest continental European steeplechase race will remain just a dream. This diploma thesis deals with the mapping of the beginnings of horse racing in Pardubice Region during the time of the Austrian Empire and Austria-Hungary and primarily aims to examine the influence of the nobility of that time on the emergence of horse racing in the given region and on its importance from a social and political point of view. Using the analytic-synthetic method and the study of historical sources, it was possible to confirm that the aristocracy played an essential role in the beginnings of horse racing in Pardubice Region, with the most important noble houses of Auersperg and Kinsky who first organized fox hunting, the predecessors of steeplechase crosscountry, and then they gradually started organizing steeplechase races. The main source of inspiration for them was the cradle of horse racing, Great Britain, and the Grand National in Liverpool. It turns out that horse racing was very significant for Pardubice Region both from...
|
|
| |
|
|
Josef Max a Czech Sculpture during the 2nd third of 19th Century.
Hnojil, Adam ; Pech, Milan (advisor) ; Rakušanová, Marie (referee)
Bibliographic Citation Josef Max and Czech Sculpture in the Second Third of the 19th Century [manuscript]: Bachelor's Thesis / Adam Hnojil; Thesis supervisor: PhDr. Milan Pech, Ph.D. Prague, 2016, 225 p. Anotation This monographic study aims to describe and interpret the sculpture work of the leading Czech artist from the second third of the 19th century. The thesis is focused on his life and work in the context of the late neoclassicism and romantic historicism. In the first part the author is analyzed within the framework of the Czech art history. Follows the discussion of the stylistic ambiguities of the artistic pluralism of the 19th century, which is causing problems with clear definition of styles up to these days. The very core of the work lies in a biographical study reflecting the life of the North Bohemian native and his most important works, among which the most prominent are the memorial sculptures in the Czech lands and abroad. The extensive catalogue of works and illustrated appendix are enclosed. Keywords Josef Max, sculpture, neoclassicism, romantism, memorials, funerary sculpture, Academy, Prague.
|
guest ::
